Oscar Shutout

damn

The 85th Academy Awards aired last night. I had to work and missed the entire broadcast. Looks like I didn't miss much however, since all my favorites lost in every category. That's right folks, I know how pick em'.

Here's the rundown:

Argo is a damn fine movie, I even said so HERE, but I don't think it was Best Picture worthy. Same deal with Jennifer Lawrence. She's great in Silver Linings Playbook...but Jessica Chastain and Naomi Watts are friggin phenomenal in Zero Dark Thirty and The Impossible. Daniel Day Lewis will always be my homeboy, but Joaquin Phoenix's performance in The Master is, well it's just as uncanny and fearless as Daniel Day Lewis was in There Will Be Blood. Phoenix out DDL's DDL in this case.

Speaking of The Master, Philip Seymour Hoffman was ROBBED. Flat out robbed. Christoph Waltz is Tarantino's new go to guy, and he was great as Hans Landa 2.0 in Django Unchained but he doesn't come close to Hoffman's firebrand performance. Since we're on the subject of Tarantino, he needs to be stopped. I love the bastard and really enjoyed his latest film, but he's just getting out of hand. Winning Best Original Screenplay will only reinforce his bad habits, meaning we'll be stuck with more of his overtly long, bloated and campy films for the foreseeable future.

I wish Helen Hunt, or Amy Adams would have walked away with the Best Supporting Actress Oscar, but Anne Hathaway really stole the show with her five minute performance (or so I'm told).  Notice I didn't pick anyone for Best Director. Since Paul Thomas Anderson and Kathryn Bigelow were snubbed in the category I really didn't have a favorite. I'm cool with Ang Lee (he gave me Jennifer Connelly in Hulk, I'm forever thankful), so I can't hate on him.

TLDR:None of my horses came in. Bummer.

*NOTE*
Here's a list of great films that either lost or were snubbed for Best Picture altogether:

King Kong
Modern Times
Citizen Kane
The Wizard of Oz
Rebel Without a Cause
Psycho
To Kill a Mockingbird
Dr. Strangelove Or: How I Learned To Stop Worrying and Love the Bomb
The Good The Bad and The Ugly
Bonnie and Clyde
2001: A Space Odyssey
Easy Rider
Taxi Driver
Network
Star Wars
Apocalypse Now
Raging Bull
E.T.
Glory
Full Metal Jacket
Goodfellas
Pulp Fiction
The Shawshank Redemption
LA Confidential
The Truman Show
American History X
The Thin Red Line
Saving Private Ryan
Requiem For a Dream
City of God
Eternal Sunshine of The Spotless Mind
Brokeback Mountain
Zodiac
There Will Be Blood
The Social Network

Fear not Zero Dark Thirty, you're in great company.

Movie Review: Django Unchained

Quentin Tarantino's latest film Django Unchained is wildly entertaining. It's long and over indulgent, ridiculously violent, at times hilarious but most of all, it's sheer fun. I really liked this movie but couldn't help buy feel slightly disappointed overall. Like Wes Anderson, Tarantino's film's have a certain formula to them and his penchant for extreme style over substance is starting to really irk me.

Jamie Foxx plays Django, a slave turned bounty hunter who, along with his European partner Dr. King Schultz (played by the amazing Christoph Waltz), travel the antebellum South, killing bad dudes and searching for Django's long lost wife hoping to buy her freedom. Leonardo DiCaprio plays a vile plantation owner and Samuel L. Jackson his ruthless slave/house servant.

Inglorious Django

The entire cast is amazing. The four main stars, along with Kerry Washington as Django's wife and even Don Johnson, who I haven't liked in anything since the G.I. Joe: The Movie, everyone delivers great performances. Foxx is technically the star of the film but he is simply out matched whenever Waltz, DiCaprio or Jackson are on screen. In fact, during the dinner scene at Dicaprio's plantation (aka Candyland) when all four are sitting at the table, it's like a massive tug of war for the audience's attention with such great actors each commanding the screen at the same time.

The thing I love most about Django Unchained, is how the film bends over backwards to remind the viewer just how horrible, how ridiculous and how real slavery was in American history. People are beaten, whipped, stripped nude, tortured and attacked by dogs. It's all cringe worthy violence but helps propel the film's narrative: the American South was a fucked place before the Civil War.

Tarantino uses Waltz and DiCaprio's characters like yin and yang symbols. Both are smooth talking, educated white men whose lives are directly intertwined with blacks. Waltz, the white man who liberated Django and stands on the right side of history, is a European immigrant who looks at the backwards ignorance of DiCaprio and his Southern culture (who so desperately try to mimic European aristocratic life on their plantations) with disgust. There is no single villain in Django Unchained, it's all of Southern Culture and the poisonous idea of slavery that's at target.  

So while I really enjoyed this film, I do have my complaints. First, its too long. Yes everything looked cool on screen but Christ man, the film is damn near 3 hours! I personally think 30 minutes could have been trimmed without hurting the film's overall narrative and hell it would have even helped the film's pacing. Next, I get it Quentin, your a great director. Please, please stop writing your name in CAPITAL LETTERS across everything you do. It stopped being cute in Kill Bill. Django's crazy outfit, the odd choice of modern rap music thrown into a film set in the mid 19th century...I mean c'mon. It's just too much sometimes. I know who's directing this you don't have to keep reminding us.  Oh look, Tarantino has a cameo during the films 3rd false ending and it's easily the worst thing about the entire movie. Great. I love being immersed in films but Tarantino's blatant Tarantino-isms do nothing but yank me right out.

Django is still a great movie that I highly recommend. I'm just sad that I only liked it and didn't fall in love.