Oscar Shutout

damn

The 85th Academy Awards aired last night. I had to work and missed the entire broadcast. Looks like I didn't miss much however, since all my favorites lost in every category. That's right folks, I know how pick em'.

Here's the rundown:

Argo is a damn fine movie, I even said so HERE, but I don't think it was Best Picture worthy. Same deal with Jennifer Lawrence. She's great in Silver Linings Playbook...but Jessica Chastain and Naomi Watts are friggin phenomenal in Zero Dark Thirty and The Impossible. Daniel Day Lewis will always be my homeboy, but Joaquin Phoenix's performance in The Master is, well it's just as uncanny and fearless as Daniel Day Lewis was in There Will Be Blood. Phoenix out DDL's DDL in this case.

Speaking of The Master, Philip Seymour Hoffman was ROBBED. Flat out robbed. Christoph Waltz is Tarantino's new go to guy, and he was great as Hans Landa 2.0 in Django Unchained but he doesn't come close to Hoffman's firebrand performance. Since we're on the subject of Tarantino, he needs to be stopped. I love the bastard and really enjoyed his latest film, but he's just getting out of hand. Winning Best Original Screenplay will only reinforce his bad habits, meaning we'll be stuck with more of his overtly long, bloated and campy films for the foreseeable future.

I wish Helen Hunt, or Amy Adams would have walked away with the Best Supporting Actress Oscar, but Anne Hathaway really stole the show with her five minute performance (or so I'm told).  Notice I didn't pick anyone for Best Director. Since Paul Thomas Anderson and Kathryn Bigelow were snubbed in the category I really didn't have a favorite. I'm cool with Ang Lee (he gave me Jennifer Connelly in Hulk, I'm forever thankful), so I can't hate on him.

TLDR:None of my horses came in. Bummer.

*NOTE*
Here's a list of great films that either lost or were snubbed for Best Picture altogether:

King Kong
Modern Times
Citizen Kane
The Wizard of Oz
Rebel Without a Cause
Psycho
To Kill a Mockingbird
Dr. Strangelove Or: How I Learned To Stop Worrying and Love the Bomb
The Good The Bad and The Ugly
Bonnie and Clyde
2001: A Space Odyssey
Easy Rider
Taxi Driver
Network
Star Wars
Apocalypse Now
Raging Bull
E.T.
Glory
Full Metal Jacket
Goodfellas
Pulp Fiction
The Shawshank Redemption
LA Confidential
The Truman Show
American History X
The Thin Red Line
Saving Private Ryan
Requiem For a Dream
City of God
Eternal Sunshine of The Spotless Mind
Brokeback Mountain
Zodiac
There Will Be Blood
The Social Network

Fear not Zero Dark Thirty, you're in great company.

Top 5 Films of 2012.

So here it is...my top 5 favorite films of 2012.


The Master- Directed by Paul Thomas Anderson
I was fortunate enough to see The Master in all it's epic, 70mm glory. PTA's follow up to There Will Be Blood doesn't offer the same instant gratification fix as it's predecessor, but it's still a marvelous film in it's own right. Every shot is breathtaking, the cast (Phoenix, Hoffman, Adams) delivers the best acting performances of the year, and the soundtrack is untouchable. The Master's plot might be foggy, but the overall experience of the film is anything but.



Silver Linings Playbook- Directed by David O. Russell
A lighthearted take on the serious and often somber topic of mental health issues in America, Silver Linings Playbook was my pleasant surprise of the year. I laughed and was generally more entertained during David O. Russel's quirky romantic dramedy then I had been in ages.  I'm also now sold on both Bradley Cooper and Jennifer Lawrence's acting chops.



Zero Dark Thirty- Directed by Kathryn Bigelow
The hunt for Osama Bin Laden could have easily been depicted as a "glorious" pile of pro-Western propaganda. I'm glad Kathryn Bigelow took a different approach with Zero Dark Thirty. The film is cold and clinical, like it's Type A personality protagonist Maya (Jessica Chastain). The tedious and often  horrific nature of the espionage/political world take center stage. The film may be dark and exhausting, but it's almost cathartic as well.



Prometheus- Directed by Ridley Scott
I don't understand the anger over Prometheus. Aside from looking absolutely gorgeous on the big screen (and I usually loathe 3D), Ridley Scott's latest film is easily the most ambitious sci-fi film in years. Was the film perfect? No. Was it entertaining and leave you craving more? For me, the answer is a definite yes! Introducing "The Engineers" and expanding the Alien mythos into a separate but equally enthralling cinematic universe was right decision. The sub-par Alien VS Predator franchise sort of killed the whole chestburster thing anyways.   



End of Watch- Directed by David Ayer
David Ayer has officially come into his own as a filmmaker. He may have written the script for Training Day, but his subsequent directorial work (Harsh Times and Street Kings), although entertaining, were less than stellar. End of Watch crushes any remaining doubts I had about his directing. Ayer's latest cop drama is, gritty, fast paced, even hilarious at times, but most of all, it's one of the most heart wrenching films of the year. Jake Gyllenhaal and Micheal Pena's chemistry as gang busting LAPD officers is uncanny and is the heart of the entire film.


*HONORABLE MENTIONS*
Some pretty rad movies I dug from 2012 that were just shy of the final cut:

The Avengers
NERDGASM OF A LIFETIME. The most fun I've had at the movies. EVER.

The Sessions
John Hawkes performance as a sexually and spiritually frustrated polio victim/quadriplegic is awe inspiring.

Dredd.
Absolute carnage. I haven't enjoyed such awesomely relentless violence on the big screen since the lobby shoot out in The Matrix.

Movie Review: The Sessions

Like Argo, The Sessions is yet another film based on extraordinary true life events that seem too out there, too impossible to have really happened. But they did. If you are lucky enough to see this film, prepare to be awed, and inspired.

The film follows Mark O' Brien, a brilliant poet, journalist and polio victim who has been paralyzed from the neck down since childhood. He spends nearly twenty hours a day confined to an iron lung. He lives alone and is completely dependent on his team of caregivers to feed, bathe and transport him into the outside world. While he may be physically disabled, Mark's mind and will power are stronger than most anyone else. He "lives inside his head," and uses his mouth and a push stick to type and use the telephone to communicate his thoughts/ideas. Mark graduated from college and has a career in writing, accomplishing more than most "regular" people might ever do, but as his time on Earth winds down, he realizes that he's never known intimacy or love and decides to do something about it. He turns to Helen Hunt, a sexual therapist/surrogate to help him lose his virginity.

Yeah, kind of weird I know. Not as weird as when he describes his sexual habits with his hippie priest. That was odd, but funny...and moving. That's the thing. Mark is so fragile and vulnerable because of his condition, he's also past the life expectancy for polio victims, he literally has nothing to lose anymore and is just the most open and painfully honest dude around.

Major props to John Hawkes. He literally carries the film on his shoulders. He's a shoe in for a Best Actor nomination in my book. Hawkes has been a character actor for more than twenty years but after his performances in Winter's Bone, Martha Marcy May Marlene and now The Sessions, I hope his career blows up into leading man status the way it should. Helen Hunt and William H. Macy (when is Macy NOT phenomenal?) are great as well. I sort of forgot Helen Hunt existed for the past decade, it's good to see her back, in fine acting...and physical form (she plays a sex surrogate, she's naked a lot and looks amazing). My favorite supporting character is that of Mark's collegiate caregiver Vera played by the wonderful Moon Bloodgood. She transforms from a frigid academic type to one of Mark's most caring friends and really impressed me with her performance. 

Great acting coupled with a truly powerful and inspiring message. I don't see how you can go wrong with The Sessions.