Deftones @ The Greek Theatre. 11-1-13.

Deftones just spent the past few months opening for Avenged Sevenfold on some crappy arena tour across the USA. I say crappy because I wouldn't wish touring with Avenged Sevenfold upon my worst enemy. So the tour ends and Deftones rush back to California and play this awesome one off headlining show at The Greek Theatre. Just the band and five thousand or so friends hanging out together in the Hollywood hillside. Oh...and Glassjaw was opening. Cool right?

Unfortunately, traffic in Southern California is the 5th horseman of the Apocalypse. Journeying through the ungodly confines of the 5 fwy, then traversing through a Mt. Everest of parking lot congestion, we missed Glassjaw and damn near missed the beginning of the headliner's set as well. The only semi-good thing to come out of this traffic/parking nightmare, was seeing Serj and Shavo from System of a Down huddled under a tree outside the venue waiting for the rest of their band mates to show up (this was later confirmed by the power of the internetz). 

Thankfully, we made it to our seats moments before Deftones went into the opening notes of "Feiticeira," off White Pony. After months of playing a brief "best of" type set for non Deftones fans, Chino said it felt great playing whatever they wanted. That meant lots of rare treats like "Elite," "Lhabia," "Teenager," and "Bloody Cape," alongside a healthy dose of new cuts from 2012's Koi No Yokan. "Temptest" and "Romantic Dreams" sounded just as good, if not better (heavier and with crazy urgency) live than on the new record. Even after watching Chino play guitar all night with Palms this summer, it's still so odd watching him with a guitar in Deftones. I guess I'm just used to him jumping and swinging his microphone around.

photo boosted from: L.A. RECORD

Outdoor venues can be tricky, with sound levels fluctuating on the whims of a breezy night, but Deftones sounded great this evening at the Greek. Stephen's guitar was pummeling as ever during "Diamond Eyes," just as Abe's ghost notes and full on snare bashing were on display during "Passenger." We all know Chino is modern rock's crown prince of crooning/screaming, but Sergio Vega's backing vocals have become a crucial component to the Deftones live show. Not only is he a legendary bassist, but the dude can carry a tune. I couldn't believe it but Sergio basically made "Be Quiet and Drive (Far Away)" his own.



A few bummers about Deftones' otherwise awesome show:

• Curfew- the venue is nestled between the woodland expanse of Griffith Park, and very expensive residential homes. The wealthy neighbors don't take kindly to late night concerts in their backyard so the Deftones performance at the forest moon of Endor (Chino's words) was cut short by a few songs.
• Layout-although a great sounding venue, if you aren't within the first few rows of the stage the band feels a bit far away. We were lucky enough to land seats with a birds eye view but still couldn't manage any decent photos or video =/
• Parking- yeah I'm bitching about parking again. Really it's that fucking horrible trying to park here. We spent about the same amount of time in the car (arriving then trying to exit afterwards) as we did inside the venue watching Deftones play. Sheer insanity.

Small grievances aside, Deftones continued their reign of awesomeness with back to back album & concert victories. So thankful they played this show and didn't force me to buy an Avenged Sevenfold ticket. Thanks guys, I owe you one. 

Interpol @ The Greek Theatre, 10/23/10.

After a five year drought, I saw Interpol play two shows in two months.

Their free record release gig in Hollywood this past September was pretty awesome. Sure, their new album kind of sucks (erase kind of) but some of the new material actually sounds better live. Either way, watching Interpol rock out for an hour in a parking lot, near the front of the tiny ass stage was so badass...their real concert at the Greek just couldn't match the experience.

We caught the last few songs from the opening band White Rabbits. They weren't horrible, just not my cup of tea I suppose. Our seats were closer than my last Interpol show at the Greek (where I froze my balls off in the cheap seats), but still too far for me to get any decent photos or video =/

The band's setlist was pretty rad. They blended some of their non-horrible new songs pretty seamlessly with favorite cuts off Antics (C'mere, Slow Hands, Not Even Jail, Narc, Take You On a Cruise, Evil) and a few Turn on the Bright Lights classics (PDA, Say Hello to Angels). The only song they played off Our Love to Admire was "Rest My Chemistry" which was kind of odd. I know a lot of fans stand divided over that record (I don't really love it all that much myself) but its far superior to the new album and I guess they had to cut something from somewhere. Their encore was all SICK:

• Untitled
• NYC
• Stella Was a Diver and She Was Always Down
• Obstacle 1
  

Yeah, all Bright Lights era jams had  the audience queefing pretty hard. I personally lost my shit when they played "NYC." I mean, just watch (courtesy some jerk with a waaaay better seat than me)


It's strange that this show was marred by three separate "incidents," where three different male fans rushed the stage and tried to get at Paul Banks while he was singing/playing mid song and almost NO FOOTAGE has popped up online. First some guy jumps onstage and actually tries to kiss Paul on the cheek or something before being hauled away. Another fellow climbs up and is tackled mid-air by security as he lunges at Paul. The last and most freakish outburst came during the "Stella Was a Diver..." near the end of the night when some maniac rushed Paul and knocked his mic stand down, broke free from security and had to be wrestled off stage with Daniel playing guitar on the side looking confused as fuck. It's funny that the band did not miss a beat, never stopped playing and didn't even really talk about what had happened either. I guess it's common place for dudes trying to molest Interpol these days or what?!

Check out the only footage I can find of Paul's insane 3rd admirer here:

dude tries to get frisky around the 2:20 mark

So yeah, Interpol's Greek show was great. Paul's voice sounded stronger than ever (unlike how nasal he sounds on the new record...haters gonna hate?) and yeah, Carlos D looked cool dressed up like a Hitler youth with his bass hung all low but these two shows proved that the band can carry on just fine without him. Sadly, as cool as the Greek concert was, I don't think anything will beat their earlier gig...unless they play in my apartment or something.