Showing posts with label Her. Show all posts
Showing posts with label Her. Show all posts

Monday, January 20, 2014

Top 5 films of 2013

 photo 12_years_a_slave_ensemble_cast_a_l_zps9a00ff0b.jpg12 Years A Slave- Directed by Steve McQueen.

In a year full of great films, 12 Years A Slave stood out amongst the rest as one of the most important movies in recent memory. Chiwetel Ejiofor leads a brilliant cast, along with scene stealing turns from Paul Dano, newcomer Lupita Nyong'o and a genuinely frightening performance from Michael Fassbender that will leave viewers squirming in their seats for generations to come. McQueen's visceral, no nonsense direction creates an intense and bleak atmosphere that reflects the grim stain in American history the film depicts. A truly powerful film that will resonate through the ages.

 photo Before-Midnight-cast_zpsc4e74b60.jpg Before Midnight- Directed by Richard Linklater

My most anticipated film of the year did not disappoint. If 12 Years A Slave hadn't brought the historical/social gravitas, Before Midnight would have reigned supreme as my favorite film of 2013. The latest in Richard Linklater's "Before" film series is a raw examination of adult relationships. Less romance, more melancholy and monotony but captivating all the same. The characters of Jesse and Celine have come along way from their starry-eyed first encounter in Before Sunrise. Unlike in previous chapters (of this... possibly the greatest trilogy ever?) it's not time that's their enemy, it's everyday life.

 photo MV5BMTU3NDg5NTA5NF5BMl5BanBnXkFtZTgwMDAxNjM3MDE_V1_SX640_SY720__zps1334bcdf.jpgHer- Directed by Spike Jonze

I've always liked Spike Jonze. I grew up watching his music videos and commercials before I realized he was goofy Conrad from Three Kings. When I saw Adaptation, I was too young to fully understand his ingenious subtlety behind the camera but I knew something awesome was taking place onscreen. Well, Spike's latest film Her is nothing short of a masterpiece and I can say with confidence, Spike, I love you man. Joaquin Phoenix delivers another career defining performance as Theodore, a lovelorn writer who falls in love with his computer OS. This movie encapsulates the emotional weight of Nicolas Cage and Meryl Streep's elevator scene in Adaptation, but takes it into the stratosphere. A truly beautiful film.

 photo PLACE-BEYOND-THE-PINES-03_zps41470040.jpgThe Place Beyond The Pines- Directed by Derek Cianfrance

The most overlooked film of the year? I think so. Derek Cianfrance's sprawling crime/family epic is one of the most emotionally jarring films of 2013. It's dark and morbid, but poetic and touching. Everyone in the large ensemble cast delivers great performances but Ryan Gosling and Bradley Cooper do the best work of their careers in this film. Say what you will about the plot or execution of this ambitious film, the acting, cinematography and musical score are untouchable and are all worth a viewing in their own right.

 photo dwayne-johnson-anthony-mackie-mark-wahlberg-pain-and-gain-600x400_zps07f9e638.jpgPain & Gain- Directed by Michael Bay

A Michael Bay film that I didn't hate, let alone standing tall in my top 5 list?! Well, Pain & Gain is that good (in a horribly callous, despicable way) folks. This thoroughly deplorable yet jaw-droppingly funny film follows the real life exploits of quite possibly, the dumbest criminals in recorded history. Bay grabs this project by the horns and turns what would otherwise be a dark and twisted film into a tongue and cheek self aware eye wink to all the haters (such as myself) who have chastised the man since Pearl Harbor. Let it be clear that no one does lowbrow entertainment (juvenile humor, explosions) like Michael Bay. Hail to the king.


*HONORABLE MENTIONS*


2013 was an amazing year in cinema. I should have posted a top 10 list for all the great stuff I saw this year but for the sake of continuity, kept the top 5 tradition going. Anyways, here are the rest of my favorite films from last year:

Prisoners
Dark, Law & Order: SVU plot, with Jake Gyllenhaal's scene stealing performance/hair.

Pacific Rim
The most fun I had at the movies all year. In IMAX 3D or standard, Gypsy Danger rules in any format.

American Hustle
David O. Russel continues his streak of awesomeness. Enough said.

Spring Breakers
I will defend this film til my dying breath! James Franco and his neon lit femme fatales are amazing to watch.

Only God Forgives
Despite it's flaws, I simply could not stop thinking of Refn's latest film long after I left the theater. Don't agree with me? "Wanna fight?"

Check my Letterboxd profile for all things film related and reviews for my entire top 10:

Monday, December 30, 2013

Movie Review: Her

Her is the most poignant and strangely inspirational film I've seen in some time. Spike Jonze's latest film is a lovelorn masterwork that will resonate with anyone who has ever used a smart phone and who still has blood pumping through their veins. In the not too distant future, society's struggles and hardships are quelled by the wonders of technology, but instead of standing together in triumph, people are isolated and miserable. The financial and economic woes that plagued mankind for millennia have given way to existential crises and the dissolution of intimacy. It's a frightening paradox and makes for a heartbreaking viewing experience.

Joaquin Phoenix plays Theodore, a writer and hopeless romantic in the throes of a bitter divorce. He wonders the streets of futuristic Los Angeles completely immersed in the world of his personal computer (think: iPhone 50) like all the other blank faced automatons in the city. When Theodore purchases a new operating system with artificial intelligence, he quickly forms a bond with his OS, who names itself "Samantha," and begins to turn his life around. Phoenix's portrayal of poor Theodore is nothing short of amazing. Because this is a movie about a dude who's in love with a computer, Phoenix is alone for the majority of the film and does all the onscreen heavy lifting himself. He's melancholy and pathetic, he's joyful and hilarious, he's neurotic and vulnerable all at once. Scarlett Johansson provides Samantha's smokey voice and does a great job making a creepy omnipresent machine sound like something you'd want to wake up next to in the morning. Rooney Mara continues her streak of pants shitting-ly terrifying performances ( The Girl With The Dragon Tattoo, Side Effects) and Amy Adams is brilliant as Theodore's quirky friend and neighbor in a role that's a complete 180 from her character in American Hustle but she shines just as bright. 


Technically and thematically, Her is simply a gorgeous film to behold. The team Jonze assembled to bring his tragically sterile future world to life deserves all the praise they're receiving and more. Cinematographer Hoyte van Hoytema and costume designer Casey Storm create a cheerfully drab Apple Store/American Apparel looking society, devoid of dust, excitement, and denim. The film's inspirational music is brought to you by Arcade Fire and Karen O of The Yeah Yeah Yeah's, and Phoenix delivers one of the most captivating performances of his career. All that, plus the deep philosophical themes Her touches upon, this film is just ridiculously good on so many levels it's not even funny. Speaking of funny, although heartbreaking and tragic, Her has several flat out hilarious scenes. Like side splitting laughter. So prepare your tear ducts, secure your funny bone, and say goodbye to your smart phone because you'll probably never look it the same way again after you see this movie. Her is without question, one of the best films 2013 has to offer.